Larry Young

Larry Young2023-08-14T08:17:24-07:00

Larry Young: The Innovator of Jazz Organ

Larry Young, born on October 7, 1940, in Newark, New Jersey, is celebrated as one of jazz’s most inventive organists. Blazing a trail distinct from his peers, Young’s contributions to the genre extended the boundaries of what was previously considered possible with the Hammond organ.

Initiating his musical journey in the 1950s, Young’s early influences included the likes of Jimmy Smith and Jack McDuff. However, unlike many of his contemporaries, he soon deviated from the traditional soul jazz style. Instead, Larry began exploring modal jazz and post-bop, infusing his music with elements reminiscent of John Coltrane and McCoy Tyner.

The 1960s marked a transformative period for Young. His association with iconic labels like Blue Note Records led to the creation of masterpieces such as “Unity” – an album that has since gained legendary status for its innovative approach. This period also witnessed Larry’s collaboration with other jazz greats, including Woody Shaw and Joe Henderson.

However, it was Young’s foray into jazz fusion in the late 1960s and early 1970s that further solidified his reputation as a genre-bending artist. Teaming up with luminaries like John McLaughlin and Tony Williams in the groundbreaking group, “The Tony Williams Lifetime,” Larry melded jazz, rock, and experimental sounds, creating a style that was uniquely his.

Beyond his work as a musician, Larry Young was also a dedicated educator. His passion for imparting knowledge ensured that his pioneering techniques and love for the organ were passed down to future generations.

Tragically, the world lost this maestro at a young age. Larry Young passed away on March 30, 1978. Despite his untimely departure, his legacy remains profound. Larry Young didn’t just play the organ; he redefined its role in jazz, inspiring countless musicians with his audacity and brilliance.

Today, Larry Young is remembered as a visionary – a musician who dared to venture where few had treaded and, in doing so, reshaped the soundscape of modern jazz.

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