Jackie McLean

Jackie McLean2023-08-13T15:47:44-07:00

Jackie McLean, born on May 17, 1931, in New York City, emerged as one of the most influential alto saxophonists of the post-bop era. With a signature tone that was biting yet soulful, McLean’s contributions to jazz are lauded for their depth, expressiveness, and innovation.

Raised in Harlem, McLean was introduced to the world of jazz at a young age, notably receiving mentorship from the great Sonny Rollins. By the age of 19, McLean was already making waves, performing alongside jazz luminaries such as Charles Mingus and Miles Davis. It was evident from the outset that McLean’s approach to the alto saxophone was distinct, characterized by a piercing sound and a slightly sharp intonation that became his trademark.

In the 1950s and 60s, McLean solidified his reputation as a leading figure in hard bop. Recording primarily for the Blue Note label, he produced a string of albums that are now considered classics, including “Let Freedom Ring” and “Destination… Out!” McLean’s works from this period were notable for their exploration of modal jazz and their incorporation of blues and gospel elements.

As the 60s progressed, McLean became increasingly interested in avant-garde jazz, collaborating with free jazz pioneers such as Ornette Coleman and Grachan Moncur III. This period saw McLean pushing the boundaries of harmony and form, creating music that was both challenging and deeply emotive.

Beyond his performing career, McLean was passionate about music education. In the 1970s, he founded the African American Music Department at the University of Hartford, which later evolved into the Jackie McLean Institute of Jazz.

Jackie McLean’s influence extends far beyond his discography. As an educator, mentor, and innovator, he played an instrumental role in shaping the direction of modern jazz. Jackie McLean passed away on March 31, 2006, but his legacy as a pivotal figure in jazz history remains undiminished, celebrated by musicians and aficionados alike.

Jackie McLean appears on these recordings.
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